Eight presets I made for MixWave’s D.W. Fearn VT-7, drawn from my mixing sessions.

Everywhere I Am, episode 3 (Almighty Opp): Johnny Morgan, engineer, giving a tour of United Recording.

Eight presets I made for MixWave’s Coil Audio CA-286S, drawn from my mixing sessions.

Twelve presets I made for MixWave’s Hazelrigg VNE, drawn from my mixing sessions.

Seventeen presets I made for MixWave’s JHS Loud Is More Good Collection, drawn from my mixing sessions.

Twenty-one presets I made for MixWave’s Pultec EQP-1S3, drawn from my mixing sessions.

blu’s soul amazing thirteen mixtape, mastered by Johnny Morgan.

Nine presets I made for MixWave’s 1981 DRV, drawn from my mixing sessions.

Nine presets I made for MixWave’s Level, drawn from my mixing sessions.

Mike Watt gave Johnny Morgan a shoutout on his hoot page.

Eleven presets I made for MixWave’s Electrodyne 511, drawn from my mixing sessions.

Brent Faiyaz for JD Sports, partly filmed at and in front of United Recording in Hollywood, with Johnny Morgan as engineer on the shoot.

Descendants: The Rise of Red (Disney+), score recording by Johnny Morgan.

Seven presets I made for MixWave’s Hazelrigg VLC, drawn from my mixing sessions.

Swiftstyle, ATF (Ain’t That Fresh): audio mixed and mastered by Johnny Morgan.

Dos Cuetes by Swiftstyle and Pryvet Peepsho: audio mixed and mastered by Johnny Morgan.

Eight presets I made for MixWave’s Coil Audio CA-70S, drawn from my mixing sessions.

Minx, “It’s okay to like it” (S2 E3): studio consulting by Johnny Morgan.

Harley Quinn, “Icons Only” (S4 E3): recording by Johnny Morgan.

Doritos Super Bowl ad with Jack Harlow and Missy Elliott: studio consulting by Johnny Morgan at United Recording, in Studio A and partly Studio B.